(Original article 9/5/2019)
A summer solstice more than three thousands of years ago. A group of people have gathered by an ancient stone structure to wait for the sunrise. Only the crackling of the burning torches breaks the silence. Little by little space is filled by a low, even ghostly sound. A gigantic horn has been raised and a rhythmic drumming begins. Men in the circle are pounding big drums decorated with red images with their axes.
When the first rays of the sun hit the stone three young women step inside the ring of people. They have their hair cut short, short shirts and skirts made of cords. On their waist, they wear a bronze disc decorated with spirals and a protruding point in the centre. Necks and arms are adorned with rings.
Accompanied by the drumming and the low humming of the great horn they start a wild dance with the rising sun. While the women are spinning, jumping and bending to bridges the rays of the rising sun makes the belt plates glint.
Nordic Bronze Age and the sun cult
The Nordic Bronze age is a culture that prevailed mainly in the Southern Scandinavian peninsula and Denmark in 1700-500 BCE. Sometimes also parts of Finland, Estonia and Germany are included.
Along with agriculture, the sun became a more important part of the religion. Sun cult had its most significant role in the Neolithic period and the Bronze Age. Solar symbols of the Bronze Age were the sun cross or wheel, circles and concentric circles, spirals and also spiral decorated shields and circular belt-plates.
More about the Nordic Bronze Age: http://www.dandebat.dk/eng-dk-historie9.htm
The solar ship
In the images of the rock carvings and razors, the sun is transported in a ship. A Danish archaeologist Hemming Kaul has interpreted Bronze Age razors motifs. According to him:
1. A fish helps the sun from the night ship to the day ship.
2. In the forenoon, a bird eats the fish and takes control over the ship.
3. At noon a horse moves the sun over to another ship.
4. In the afternoon a snake takes the sun into the tail curls and helps it go down.
5. The ships of the razor knives without the sun are night ships where the sun isn’t visible.
Also in the Scandinavian rock carvings, the solar symbol is carried on a ship. Sometimes the symbol is in a way, in a form of a shield. Hemming Kaul has also studied these images. The solar symbols are always on the ships sailing to the right or west. So being, the ships going towards the west would be day ships and the ships sailing to the east night ships.
The Sun chariot
The sun could also travel across the sky pulled by a horse like in the images of the razors. The famous sun chariot found in Trundholm, Denmark shows a gold-coated disc decorated with spirals and a horse on wheels dragging the sun. The backside of the disc is dark and not gilded so it’s been stated that the front side is the dayside and the other side is the night.
Much later sources tell about the sun goddess Sól or Sunna who drives in her chariot across the sky pulled by horses. Because in the Bronze Age Scandinavia they didn’t know how to read or write all we know about their beliefs is based on the images, objects and constructions. The names of the gods are not known. However, it is likely that the gods of the Iron Age Scandinavian religion are inherited from the Bronze Age.
The sun goddess
The sun cult was a cult of fertility. In the Scandinavian rock carvings, the men holding axes and pictured with the sun symbols seem to have an erection. A sword or a spear pierce the sun symbol in some cases. For example, in this kind of connection, the solar symbol seems to be a feminine symbol.
The common symbols in the Bronze Age, a sword and a spear represent deities that have later become Freyr and Odin. But to which deity the solar symbol belonged to? Maria Kvilhaug and Lan Wang have suggested that the fertility and war goddess Freyja (and also her brother Freyr) would be the successors of this sun deity. Read more about it here:
Freyja and Freyr: Successors of the Sun: on the absence of the sun in Nordic saga literature: https://www.duo.uio.no/handle/10852/57994
http://freya.theladyofthelabyrinth.com/?page_id=89 (at least in my browser this is unreadable due to the background picture but the text can be copied and then read)
The sun deities in the more southern and eastern regions have been male but among the Finno-Ugric people, the sun has had a female aspect. Maria Kvilhaug thinks that there might have been influencing from east to Scandinavia. It seems possible since according to the new research at least the ceramic influences were transferred from east to west maybe along with the women themselves.
In 1921, in Egtved, Denmark a grave of a young girl was excavated. The girl had been buried under a mound, in a carved oak-trunk. She was wearing a peculiar outfit: a short cord skirt, short top and a bronze disc fastened on the waist. Also, her hair was cut short.
Small figurines wearing similar cord skirts have been found. These statuettes represent persons who are performing acrobatic moves. It has been suggested that these figurines are related to the sun cult and represent sun-worshipping rituals.
The Egtved girl might have been a priestess of the sun who performed a ritual sundance. She was only 16 – 18 years old.
Watch a documentary spoken in German with English subtitles about the Egtved girl
or read more here: